
1 Dream a Little Dream of Me 3 Here Comes the Flood 4 Brave New World 5 There's No 'I' in Team 6 Life During Wartime 7 Rise Up 8 These Ties That Bind 9 In the Midnight Hour 10 All By Myself 11 Wish You Were Here 12 Sympathy for the Devil 13 Stairway to Heaven 14 Beat Your Heart Out 15 Before and After 16 An Honest Mistake 17 I Will Follow You Into the Dark 18 Stand By Me 19 Elevator Love Letter 20 Sweet Surrender 21 No Good at Saying Sorry 22 Beautiful Day 23 Here's to Future Days
Yes!
Mer takes back the night! I mean this literally (she’s getting
back her man) and figuratively (using the reference of women empowering
themselves because as I’m sure you know, March is Women’s History Month
– catch the nearest parade in your city). Derek says, “I love
you” and Mer answers, “I know”… anybody remember that from somewhere
else? Come on, let your geek flow. The writers here at
Grey’s Anatomy have no problems letting our geek flow. We like to
think of it as being “geek chic” and we welcome you to join us.
But it’s not just the writers actually, everybody embraces their inner
geek here. The editor of this episode, Susan Vaill, emailed me
all excited that we’d put it in and taken this exchange back for the
ladies. Okay, some of you may already know what I’m talking about
whilst others of you are completely lost. Anybody see a little
movie called “The Empire Strikes Back”? Princess Leia says, “I
love you” to Han Solo right before he’s about to be frozen in carbonite
(another reference we’ve used before… episode 416… season 4 finale…
cement boy… ring any bells?) and Han Solo says, “I know.” And he
kind of says it in an “of course you do, look at me” kind of way.
So now, we’ve taken back that exchange and handed it over to the
women. And we’ve made it both feminist and feminine at the same
time I’d like to think. Feminist because Mer’s all “I’m woman,
hear me roar” because she’s all that and of course he still loves her;
but feminine at the same time because he’s vulnerable, and she’s not
taking advantage of that moment, and she loves him, too. She’s
not giving up on him. She’s not giving up on their love and she’s
not giving up on him as a surgeon. She’s standing by her
principles and standing by her man.
And speaking of not giving up, is Cristina a freakin’ sledgehammer or
what? She just keeps pounding Izzie and pounding her until Izzie
finally has to lash out and speak the unspeakable. Not having
treatment? Why would she ever even go there? She’s a
doctor, she’s been through it with many patients and come out the other
side, or watch them die… oh, I guess it’s pretty clear why she would
consider not going through with treatment. She has been on the
other side. She has been through it. And like she says, she
knows too much. And going through the whole day with (the writer
clears her throat for this hideous reference to be explained later)
“Blowhole” has made it clear to her that the way doctors treat patients
when the patients aren’t around, the way she treats patients when
they’re not around (and even if she’s not doing it herself, she’s
allowing it) – that patient will be her this time.
And let me tell you, as a doctor myself, I know that we sometimes get
caught up in all that. Referring to patients as “room 12” or
“spine guy” or “stinky drunk druggy chick” is a shorthand we’ve all
used. It doesn’t mean we don’t care, it doesn’t mean people
aren’t going to get the best care, but it’s rude. And for the
most part unnecessary, but we learn over and over that to distance
ourselves helps get us through it – it’s harder to feel the pain of
“room 12” dying than to feel the pain of “Mr. Bickham, Kara’s father”
dying. Like Cristina says, it’s one of those things that helps us
get through the day. Which doesn’t make it right, but it is what
it is. I learned my lesson in the ER one night when I was
stitching up this “lady” strung out on crack and had been picked up on
a corner (who actually had “slippery when wet” written on her inner
thigh – eww!) and I made the mistake of saying, “Let’s just get this
over with, I don’t care” – or something to that effect. She
proceeded to rip off her sterile dressings and try to sit up with my
needle halfway in her scalp and let me know that if I didn’t care, she
should just go back out there and die. I don’t know, something in
me just sank at that moment. Her outburst somehow let me know
that she’s a person just like everybody else and deserves healthcare
and deserves to be treated like a human being. Maybe it was the
hurt in her eyes or the tone of her voice, but I never forgot that, and
even though I promptly went back to saying stuff like “gallbladder
guy,” I never say stuff like that to anybody’s face and try to give
people the respect they reserve as my patient.
And hell, I can’t even say it’s just doctors. I, too, have been
on the other side. I straddle the fence between “doctor world”
and “writer world”. The name “Blowhole” actually came directly
from our writers’ room – even before we saw Mr. David Young (the
patient)! While we’re breaking story, before we name the
patients, we usually reference them by their malady. “Face
transplant guy,” “the stomach cancer trio,” “cement boy” – you get the
general gist. Well, one of the writers (who shall remain
nameless, as Blowhole was faceless) started dubbing him “Blowhole” in
the room, and then somehow it landed in the script! But it
actually worked really well in the script because it was a perfect
thing for Izzie to react to. Of course that brings it all home
for her. We always knew she wouldn’t want to feel like the
patient, but for her to keep hearing that term (I’m going to stop using
it now thank you very much) really brought it home (I mean, even Alex
was saying it – that had to hurt since she was taking it personally
herself). It was art imitated life which imitated art… or
something like that.
There were a lot of things we knew going into this episode. We
knew Izzie was sick (duh), we knew we wanted the theme to be “friends”
(Cristina and Izzie coming together on that bench was such an
incredibly awesome scene I can barely stand it. The first time I
saw it cut together I just sat there with my mouth agape and my eyes
filling up. They are amazing together.), and we knew our face
transplant guy would be a recluse because when I was researching face
transplants, the doctor who led the team at the Cleveland Clinic where
they performed the most extensive and only American face transplant (to
date), Dr. Siemionow, said, “it’s hard to face the world without a
face.” I just love that quote. Anyway, when we were trying
to figure out how to show his reclusiveness, the room came up with this
orchid idea. And when I tell you the whole room erupted with glee
at this idea, I do not exaggerate. Yet another example of our
geekiness. Or shall I say, in this instance, their
geekiness. I had no idea what all the fuss was about. Until
I started learning more about orchids. It’s crazy the things that
those freakin’ flowers do! They actually adapt to look like the
insects that pollinate them so that they can continue to exist. I
mean it’s really crazy. If you get the time, read about
them. I personally am going to have to go back and see the movie
“Adaptation” again to really get into all the double entendre of that
title and the movie.
But I digress. The interns. Ahh, the interns. Thank
god for the interns. They added so much fun to this episode –
gave us a reason to stop and laugh through the tragedy that is our
friend Izzie’s life. In the room we called it our little intern
telenovella that goes on in the background while we follow our main
residents. But in the end it turned out that it took on a life of
its own and I love how Pierce, Megan and Steve (Joe, Molly and Mark)
went for it. And I love the interrogation of Ryan
(Brandon). I think the lesson to be learned from their story is:
check to make sure you don’t hit “reply all” when admitting that you
slept with your co-worker’s significant other over email.
Or maybe the lesson is not to email such important information at
all. This same kind of thing happened during my residency
once. An attending took one of the interns down to the Bahamas
while the intern was dating one of the residents. That intern had
actually come to our program because she and the resident had been
dating for years – had planned to get married in fact. Believe
me, it was a major scandal. See? This kind of stuff does
happen in real life.
The other part of this episode that was real was the stories that
Callie and Owen told out in the woods. I won’t go into them in
detail because I think they said enough and I’d rather not live through
them again, but suffice it to say that those stories were vignettes
from true occurrences.
But I can’t end the blog on such a sour note. Let’s see, what am
I missing from the episode? Oooh, Derek’s rage. Wait,
that’s still a little sour. Although fascinating, right? To
see that side of him? And for that side of him to turn into the
vulnerable mess of a man that we see at the end of the Chief’s speech
to him at the trailer? To see him like that just made me want to
go and comfort him. Anybody else have that feeling?
Oh snap, I know how to end this on an upbeat note! Bailey
convincing people to go out into the woooods. Yes, I meant to put
that many o’s, it’s not a typo. She was so funny every time she
said that. And we realized it’s really the first time she and
Owen have ever really talked at all. Before this episode they had
about one interaction with each other that was about a second
long. I vote we put them together more often. They’re a
good team. Although Bailey makes a good team with just about
anybody. Derek, the Chief, Callie… she strolls in, takes names,
and heads out again. She’s Superfly. Or maybe I meant
Superman. Or… she’s Bailey. A superhero in her own right.
And then there’s our own Justice League of superheroes (yes, I realize
there are more than 5 of them). Our 5 musketeers at the end of
the episode. Yes, I realize there are really only three of them,
but how else would I get to their motto “all for one and one for
all”? As they all learn of Izzie’s fate, they band
together. And all is right with the world.